Connoisseur of Western painting tradition and admirer of Japanese aesthetics and philosophy, Eberhard Grames places in front of his lens the bodies of animals, plants, shellfish and stones selected out of a vast store of objects, and composes poetic images in which illusion and emphasis on detail are sovereign. D. Bourges comments that "The familiar faces of the objects seem to have broken, revealing to us a world behind pure objectivity".

With the support of Goethe Institute