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1908
was an important year in the history of Macedonia, and even
more important for the fate of the Ottoman Empire. Seeking
to implement a civilian constitution and turn the country
post-haste into a parliamentary democracy, the group of reform-minded
army officers known as the Young Turks set in motion a whole
chain of events. The consequences of this military intervention
in political affairs are evident not only within the Ottoman
Empire but in all the Balkan states that followed their traces.
The
great expectations of the Turks, Greeks and Bulgarians, that
constitutional government would as if by magic resolve the
problem of peaceful co-existence after nearly four years of
inexorable struggle for Macedonia, were captured by the photographer's
lens. They were then multiplied, in the form of post cards
that revamped, internationally, the humbled political profile
of the Ottoman Empire.
The
protagonists in the history that was being recorded in photographs
were, in addition to the Young Turks, the Greek Makedonomachoi
and the Bulgarian komitatzides, and the many outlaws, known
and unknown, of the period. All together, in awareness or
in ignorance of the political expediencies, they posed for
the camera, eager to document the national and social reconciliation.
The prime setting for this unique conjunction was the city
of Thessaloniki, followed by Monastir. Photographers immortalised
these novel political gatherings and scenes of reconciliation
from a variety of angles, while printers hastened to stamp
across their existing stock the political slogans of the time.
The
300 post cards in the collection assembled by Angelos Papaioannou
carry us back into the political climate of the Thessaloniki
of 1908. They also provide a picture of the Macedonian Struggle
at its official conclusion, when the freedom fighters were
hastening to have their picture taken in every town in Macedonia.
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